In 1965, Federico Peralta Ramos (Buenos Aires, 1939-1992) built a gigantic sculpture of masonry and cast in the shape of an egg and called it "Nosotros afuera" (we, the outsiders). The Instituto Di Tella awarded him the first prize. During the ceremony, the egg began to collapse till the artist decided to break it with a hammer. That was how Peralta Ramos shifted from conceptual artist to performer.

"Nosotros afuera" is the anti-work and, although only he knew the meaning of that brief artwork, with it, and with his behaviour, he demonstrated the end of language, criticism and art labels.