Anicka Yi and the humanoid drones...
8:36 p.m.
24/11/21 - En el Turbine Hall de la Tate Modern de Londres la espectacular artista coreana nos hace convivir con unos globos venosos que recorren el inmenso espacio de la sala. La propuesta es adentrarnos en el futuro y convivir con las máquinas que nos podrían rodear, creando nuevos ecosistemas e interacciones involuntarias. Probablemente dentro de poco tiempo haya más objetos volando en el espacio cercano, como si realmente estuvieran habitando nuestras mismas zonas de convivencia y a eso es a lo que deberíamos acostumbrarnos, según la artista conceptual.
Anicka Yi (1971) encourages us to visit a gallery invaded by drones (obviously manned for this show) that appear to have organs. These balloons, which seem to carry an internal plasma, a circulatory system and tentacles, are located around us if they were looking at us (analyzing us maybe?). Their structure is indefinable, but it could be explained as a combination of terrestrial and aquatic forms, resulting in a new being that could well coexist with us, such as an evolved hybrid machine.
Our reactions vary: admiration for the workmanship of the pieces, amazement at their novelty and perhaps even fear for a future so less human. What is undeniable, however, is that an incredible perception of peace result of their constant dance.
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