The inertia of the mater...
12:47 p.m.
03/07/19 - Using iron bars that he cuts and welds, David López Mastrángelo (Argentina, 1983) creates architectonic blueprints that he places vertically, like an engineering design with a geometrical aesthetic, that our eyes recognize easily.
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This lifeless mater gives place, thus, to a story we invent as we see the artworks. If the lattice is large, we imagine an entire city, and if it's small, we picture an intimate space.
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However, the repetition, which at first amazes us, is then translated into uneasiness. We feel there's a compulsion in the artist which he can not contain. The exhibition becomes then a bit oppressive (horror vacui).
Notas para un lugar en Cecilia Caballero Arte Contemporáneo, by
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